A long exposure on a starry night can produce beautiful light trails created by the stars and the rotation of the earth. The best way to frame the image is to include an element of interest such as an old tree in the foreground. Place your camera on a tripod and focus the lens to infinity. You’ll want to use a cable release to eliminate camera shake of any kind, as it will RUIN your photo. Set the camera to B "Bulb" shooting mode and set your aperture between f/2.8 - f/4 for optimal results. Depress the remote to open the shutter. You should keep your ISO at 100 to keep the digital noise at a minimum. To complete the photo after your desired elapsed time, depress the remote again, and release the shutter. These exposures can be 15 minutes to several hours long.

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Painting with light is a fun technique that gives great results. It is called painting with light because this is what you are actually doing while taking the shot - painting with light.

You don't need much to experiment with this kind of shot, just make sure you have the following items:

1. A camera capable of long exposures - film cameras will work OK, but if you really want to get the most out of the shooting session, use a digital camera. You will be able to see the results in "real time" and make corrections as you go.

2. A nice tripod. Since you will be doing some long exposures you want to make sure your camera sits still. If you don't have a tripod you can make one in a few minutes.

3. A flash light - and by flash light I do not mean flash as in a speedlight, but the flash light or what our British will call a torch.

4. A dark location. This one is tricky. If you are going to shot at home - a dark room will be OK. If you are going to shoot outside - make sure that you are not doing this under a street light, or where a car can come by and "paint its headlight" all over your shot.

Here is how it's done:

Set your camera on the tripod and take a sample shot with flash / lights on. This will help you verify that your composition is OK.

Set the exposure to a relatively long value. Stop down the aperture as much as you need. If you are outside do nothing. If you are inside - this is the time to turn off the lights.

Make the click. Once the shutter is open use your flashlight to light the stuff that you want to "paint". You can use the flashlight as a brash, and "smear" the light, just like you would have done with brush and paper. Or, you can use the light as a pen, and do precise work. Areas where you go slowly will be more lit then others. Be careful not to linger to much over the same stop - you will burn it. (The machos amongst you will correctly identify this as the "I forgot the iron on the shirt" phenomena).

Once the shutter closes, you are a free person again. Inspect your image and make corrections.

Here are some great ideas to use this technique with:

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source

http://neymisbu.com/

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Banksy is a pseudonymous England-based graffiti artist, political activist, film director, and painter.

His satirical street art and subversive epigrams combine dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.

Banksy's work was born of the Bristol underground scene which involved collaborations between artists and musicians. According to author and graphic designer Tristan Manco and the book Home Sweet Home, Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s." Observers have noted that his style is similar to Blek le Rat who began to work with stencils in 1981 in Paris and Jef Aerosol who sprayed his first street stencil in 1982 in Tours (France), and members of the anarcho-punk band Crass, which maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. However Banksy himself stated on his website that in all actuality he based his work on that of 3D from Massive Attack, stating, "No, I copied 3D from Massive Attack. He can actually draw."

Known for his contempt for the government in labelling graffiti as vandalism, Banksy displays his art on public surfaces such as walls, even going as far as to build physical prop pieces. Banksy does not sell photos of street graffiti directly himself; however, art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder. Banksy's first film, Exit Through the Gift Shop, billed as "the world's first street art disaster movie," made its debut at the 2010 Sundance Film Festival. The film was released in the UK on 5 March 2010. In January 2011, he was nominated for the Academy Award for Best Documentary for the film.

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The term pin up refers to a photographic and illustration style which is printed and meant to be pinned up on a wall. This style originated at the beginning of the 20th century but became very popular during World War II as millions of young men spent weeks and months away from their sweethearts and longed for an escape. The pin up girl has became an indelible part of modern popular culture and endures to this day. In fact, thanks to the internet, the pin up girl is more popular than ever and only a few clicks away. The style is classic and nostalgic with a nod of appreciation to the fashion, makeup, hair and a cute campy attitude. We love it.

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Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. In 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.

Mucha moved to Paris in 1887, and continued his studies at Académie Julian and Académie Colarossi. In addition to his studies, he worked at producing magazine and advertising illustrations. About Christmas 1894, Mucha happened to go into a print shop where there was a sudden and unexpected need for a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris, at the Théâtre de la Renaissance on the Boulevard Saint-Martin. Mucha volunteered to produce a lithographed poster within two weeks, and on 1 January 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention.^[4] Bernhardt was so satisfied with the success of this first poster that she began a six-year contract with Mucha.

Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewelry, carpets, wallpaper, and theatre sets in what was termed initially The Mucha Style but became known as Art Nouveau (French for "new art"). Mucha's works frequently featured beautiful young women in flowing, vaguely Neoclassical-looking robes, often surrounded by lush flowers which sometimes formed halos behind their heads. In contrast with contemporary poster makers he used pale pastel colors.^[5] Mucha's style was given international exposure by the 1900 Universal Exhibition in Paris, of which Mucha said, "I think [the Exposition Universelle] made some contribution toward bringing aesthetic values into arts and crafts."^[6] He decorated the Bosnia and Herzegovina Pavilion and collaborated with decorating the Austrian Pavilion. His Art Nouveau style was often imitated. The Art Nouveau style however, was one that Mucha attempted to disassociate himself from throughout his life; he always insisted that rather than maintaining any fashionable stylistic form, his paintings were entirely a product of himself and Czech art.^[4] He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained by his commercial art, when he most wanted to concentrate on more artistic projects.

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